The monitor provides high-accuracy Waveform (Y/Cb/Cr/R/G/B), Vector scope, and Histogram overlays, which are essential for precise exposure and color balancing in studio environments.
It features a robust design compatible with V-mount or Gold mount battery plates for mobile field use.
While it supports 2K signals, the native panel is 1080p. It downsamples higher resolution inputs, which may not be ideal for 4K-native critical focus pulling. It downsamples higher resolution inputs, which may not
is a reliable solution for studio galleries and DIT (Digital Imaging Technician) carts. Its strength lies in its extensive I/O and comprehensive software toolset, making it an excellent primary monitor for broadcast or a secondary reference screen for complex sets.
Supports 17x17x17 3DLUT calibration and includes multiple built-in De-log 3DLuts for Log-C, S-log2/3, and V-log. and legacy Y/Pb/Pr
As an LCD rather than an OLED, its contrast ratio (typically around 700:1 or 800:1 for this class) and black levels will not match high-end grading monitors.
While it supports 16 channels, you can only output two selected channels at a time via the physical speakers or jack. Summary Verdict The Swit S-1173F and CVBS monitoring.
Dual 2K/3G/HD/SD-SDI, HDMI, and legacy Y/Pb/Pr, VGA, and CVBS monitoring.