The most comprehensive academic analysis of the music video is a paper titled "Bruno Mars, Liveness, and the Out-of-Tune Voice in ‘Locked Out of Heaven’ (2012)" by Antoine Gaudin.

Critical reviews on platforms like Medium have examined the video and lyrics through the lens of gender dynamics, questioning the recurring theme of a man "showing" a woman her own beauty.

The director, Cameron Duddy, used an old VHS camera to create a "wonky-TV" effect with tracking and color errors. The paper argues this "re-mediatized" look imitates the imperfections of a physical cassette to make the polished pop performance feel more spontaneous and raw.