: The Italian title Tra(sgre)dire is a linguistic pun combining trasgredire ("to transgress") and tradire ("to betray"), reflecting the film’s central conflict between Carla’s sexual curiosity and Matteo’s jealousy.

: True to Brass’s style, the film heavily emphasizes female forms, particularly the posterior, which the director famously calls the "mirror of the soul".

: The lighthearted atmosphere is enhanced by an infectious score by Pino Donaggio , a composer known for his work with Brian De Palma.

The story follows Carla (), a free-spirited Venetian woman who moves to London to find an apartment for herself and her boyfriend, Matteo ( Jarno Berardi ).

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