Sketch 3–4 small versions of the scene using different stems.
💡 Payne suggests simplifying the landscape into three distinct tones: light, medium, and dark. If your values are clear, the painting will read well from across the room, regardless of the detail. Rhythm and Repetition Use repeating shapes to create a visual "beat." Vary the size of these shapes to avoid monotony. The Focal Point Place your main interest away from the dead center. Use leading lines to point directly toward it. Practical Application for the Artist Edgar Payne - COMPOSITION OF OUTDOOR PAINTING
Identify where your darkest darks and lightest lights will live. Sketch 3–4 small versions of the scene using
Uses clouds, trees, or hills to frame a central light. Edgar Payne - COMPOSITION OF OUTDOOR PAINTING