Everything Everywhere All at Once follows (Michelle Yeoh), a stressed laundromat owner facing a tax audit, a failing marriage, and a strained relationship with her daughter, Joy (Stephanie Hsu). During a meeting with an IRS agent, Evelyn is swept into a multiversal war where she must "verse-jump"—accessing the skills of her alternate selves through bizarre actions—to stop an agent of chaos known as Jobu Tupaki . Production & Style
: A universe where Evelyn and Waymond are movie stars mimics the aesthetic of Wong Kar-wai. Everything Everywhere All at Once
: Represented by the Everything Bagel , Jobu Tupaki believes that if everything is possible, then nothing truly matters. Everything Everywhere All at Once follows (Michelle Yeoh),
See the creative chaos and deep themes behind the multiverse: : Represented by the Everything Bagel , Jobu
The heart of the movie is a battle between three ideologies:
: Much of the film was made with accessible tools; the directors even mentioned "cutting paper with scissors" and filming some parts on an iPhone.
Directed by (Daniel Kwan and Daniel Scheinert), the film is a "cinema of toolboxes," using every filmmaking trick to visualize a chaotic multiverse.