The film is famous for its lingering, real-time movements, such as the opening sequence at LAX where the camera follows Jackie on a moving sidewalk.
Deep blues (Jackie’s uniform), cherry reds (Max’s shirt), and mustard yellows. Jackie Brown image
Tarantino frequently uses extreme close-ups—cutting from the top of the forehead to the chin—to treat the actors' faces as "landscapes". The film is famous for its lingering, real-time